For this reason, the MusicXML export capability is available separately as SCAMP bundles a number of tools together for convenience, but it may be more than a given user Modularity and adherence as much as possible to the Unix Philosophy.One of the ways this is accomplished is through sensible defaults although there is a lot ofįunctionality under the hood, it shouldn't be encountered by the user until it is needed. Compact and expressive code: Efforts have been made to make user code simple, yet powerful.Once the result is deemed satisfactory, the user can then export it as music notation. This way, ideas can be quickly auditioned and iterated over based on the Playback first, notation second: SCAMP has been designed so that the user interacts with anĮnsemble, not a score.Other key values underlying this framework are: (Several suchĮxtensions are available in the scamp_extensions package.) Beyond this scope, users are encouraged to writeĪnd share their own extensions to suit their own compositional inclinations. The goal is to provide general purpose tools, to remove the drudgery of implementing practicalįunctionality that is needed again and again. While this may be a worthwhile trade-off in many cases, it is not the goal of SCAMP. Themselves (perhaps unconsciously) pushed in the direction of a particular harmonic language. Instance, if a framework provides abstractions for manipulating harmonies, the user may find The user has a fine degree of control over how rhythmsĪre quantized and over the degree of complexity in the resulting notation.Ĭompositional tools always feature some degree of trade-off between functionality and freedom Įvery feature that is made available to the user steers them in a certain direction. Resulting music can be quantized according to the tempo of any layer. Smooth accelerandi and ritardandi are possible, and the In SCAMP, different layers of music moving at different tempi can be interwoven with oneĪnother while remaining coordinated. Both pitch and volume can followĪrbitrary curves defined using the expenvelope package.įlexible and precise polyphonic tempo control using clockblocks. Messages, placing notes on separate channels where necessary so that these messages doĮffortless playback of glissandi and dynamic envelopes. Behind the scenes, SCAMP manages all the MIDI pitchbend SCAMP are extremely flexible sound-objects that can include the continuous evolution of arbitraryĮffortless microtonality: to play the G above middle C 30 cents sharp, the user has only Note-based, but in a broad sense: Although SCAMP conceives of music in terms of notes, notes in Programs or synthesizers, which effectively offers limitless sonic possibilities. sf3 soundfont can be used, and playback can also include MIDI or OSC messages to external Overall, the framework aims to address pervasive technical challenges while imposing as little as possible on the aesthetic choicesįlexible and extensible playback: Although SCAMP comes with a basic general MIDI soundfont,Īny. To an external synthesizer, and ultimately quantize and export the result to music notation in the form of MusicXML or Lilypond. Manage the flow of musical time, play notes either using FluidSynth or via MIDI or OSC messages SCAMP is an computer-assisted composition framework in Python designed to act as a hub, flexibly connecting theĬomposer-programmer to a wide variety of resources for playback and notation. Further donations to the project are always welcome.#SCAMP (Suite for Computer-Assisted Music in Python) Generous grants from the Seaver Institute and the In contributing code, questions, freely-distributable pieces, bugĬuthbert (cuthbert at mit.edu), music21 creator, or on the music21list. Music21 is a rapidly-progressing project,īut it is always looking for researchers interested Latest music21 News How can I contribute?
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